Products related to Musical:
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Jamming the Classroom : Musical Improvisation and Pedagogical Practice
Drawing on a mix of collaborative autoethnography, secondary literature, interviews with leading improvisers, and personal anecdotal material, Jamming the Classroom discusses the pedagogy of musical improvisation as a vehicle for teaching, learning, and enacting social justice.Heble and Stewart write that to “jam the classroom” is to argue for a renewed understanding of improvisation as both a musical and a social practice; to activate the knowledge and resources associated with improvisational practices in an expression of noncompliance with dominant orders of knowledge production; and to recognize in the musical practices of aggrieved communities something far from the reaches of conventional forms of institutionalized power, yet something equally powerful, urgent, and expansive.With this definition of jamming the classroom in mind, Heble and Stewart argue that even as improvisation gains recognition within mainstream institutions (including classrooms in universities), it needs to be understood as a critique of dominant institutionalized assumptions and epistemic orders.Suggesting a closer consideration of why musical improvisation has been largely expunged from dominant models of pedagogical inquiry in both classrooms and communities, this book asks what it means to theorize the pedagogy of improvised music in relation to public programs of action, debate, and critical practice.
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Cornhill Visions: A Century of Musical Innovation
This recording celebrates innovation at St. Michael's, the historic church on Cornhill, near the Mansion House, the Bank of England, and the Royal Exchange. Built above the foundations of the Basilica of Roman Londinium, and boasting a magical acoustic. Many composers have written music for the Choir of St. Michael's, and its sister group, St. Michael's Singers, including Ralph Vaughan Williams, Herbert Howells, Sir William Harris, Sir George Dyson, William Mathias, Kenneth Leighton, Michael Berkeley, Ruth Byrchmore, and Sir Stephen Cleobury - creating an enviable legacy of ground-breaking, and often visionary, works. Today, a younger generation of composers is being nurtured, through such initiatives as the appointment of a composer in residence. The programme is built around four seminal works of the twentieth-century English choral tradition. Vaughan Williams's post-war hymn of thanksgiving 'Lord, Thou Hast Been Our Refuge'; his apocalyptic and technically-demanding 'A Vision of Aeroplanes'; and 'Valiant-for-Truth' - a setting of mystical religious words by John Bunyan, here given an emotionally powerful quiet ending, as suggested by Vaughan Williams himself, and differing from both the published score and all other recordings. Arnold Bax's virtuoso and quirky setting of the 'Magnificat' forms the centrepiece of the programme. Around these pillars are recordings of a selection of works by Harold Darke, two recent compositions by the current young composer in residence, Rhiannon Randle, and new works from Gareth Treseder, Philip Moore, and director of music, Jonathan Rennert.
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Beyond Fingal's Cave : Ossian in the Musical Imagination
Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others. Beyond Fingal's Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s and attributed to a purported ancient Scottish bard named Ossian.From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment.The admiration for Ossian's poems -shared by Napoleon, Goethe, and Thomas Jefferson - was an important stimulus in the development of Romanticism and the music that was a central part of it.More important still was the view of the German cultural philosopher Johann Gottfried Herder, who saw past the controversy over the poems' authenticity to the traditional elements in these heroic poems and their mood of lament. James Porter's long-awaited book traces the traditional sources used by James Macpherson for his epoch-making prose poems and examines crucial works by composers such as Beethoven, Schubert, Mendelssohn, Brahms, and Massenet.Many other relatively unknown composers were also moved to write operas, cantatas, songs, and instrumental pieces, some of which have proven to be powerfully evocative and well worth performing and recording.
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Music Oracles : Creative and Life Inspiration from 50 Musical Icons
Be guided and inspired by the gods of the music world with this creative set of oracle cards.Are you suffering from creative block? Struggling to make a difficult life decision? Find out what David Bowie, Grace Jones, Maria Callas and other great artists would have done.Simply select a card from the pack and channel the oracle’s advice on attitude, lifestyle or inspiration – any obstacle will become surmountable.Contains 50 oracle cards plus a booklet featuring the artists’ biographies and details of how to use the cards.
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How can one privately design musical compositions?
One can privately design musical compositions by setting up a home studio with the necessary equipment such as a computer, music software, and instruments. They can then experiment with different melodies, harmonies, and rhythms to create their own unique compositions. Additionally, they can study music theory and composition techniques to enhance their skills and creativity. Finally, they can seek feedback from trusted friends or mentors to refine their compositions before sharing them with a wider audience.
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What function does this musical introduction serve for the musical?
The musical introduction serves as an opening statement that sets the tone and mood for the piece. It helps to grab the audience's attention and prepare them for what is to come. Additionally, the introduction can introduce musical themes or motifs that will be developed throughout the piece, providing a sense of cohesion and structure to the music. Overall, the musical introduction serves as a way to establish the musical identity and draw listeners into the piece.
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Are animals actually musical?
While animals do produce sounds and vocalizations, it is debated whether they can be considered truly musical. Some animals, such as birds and whales, have complex vocalizations that can be rhythmic and melodic, resembling music. However, music is a human construct that involves intention, creativity, and emotional expression, which may not be present in the sounds produced by animals. Overall, while animals may exhibit musical-like qualities in their vocalizations, the concept of music as a form of artistic expression is unique to humans.
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Is musical taste hereditary?
Musical taste is influenced by a combination of genetic and environmental factors. While there is evidence to suggest that genetics can play a role in shaping preferences for certain types of music, such as a predisposition towards liking or disliking certain genres, it is not solely determined by hereditary factors. Environmental influences, such as exposure to different types of music during childhood and cultural background, also play a significant role in shaping an individual's musical taste. Ultimately, musical taste is a complex and multifaceted trait that is likely influenced by a combination of genetic and environmental factors.
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The Imagination of Experiences : Musical Invention, Collaboration, and the Making of Meanings
Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music.It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind.An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around.Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining.The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working.The final chapter covers the use of the musical imagination in making meanings from music.The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning.Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.
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Two Beats Ahead : What Great Musical Minds Teach Us About Creativity and Innovation
'Groundbreaking' Amy Cuddy, bestselling author of Presence 'A roadmap for innovators, entrepreneurs and those seeking new avenues for exploring and reimagining the future' Deepak Chopra Musicians are masters of innovation, constantly finding new ways to adapt to accelerating change and staying ahead of the beat. -------------------------------------------------------------------In Two Beats Ahead, Michael Hendrix and Panos Panay demystify the artistic process of some of the greatest creative minds of our time and reveal what they can teach us about creativity. Drawing from first person interviews, you'll learn the secrets of collaboration from Beyoncé and Pharrell Williams, grasp the value of experimentation with Radiohead and Imogen Heap, learn how to prototype with Jimmy Iovine, hear why Justin Timberlake thinks you should 'dare to suck', understand the power of reinvention from Gloria Estefan, and the art of producing from T Bone Burnett and Hank Shocklee, co-founder of Public Enemy. A musical mindset is a revolutionary framework for creating and innovating in a dynamic world.Two Beats Ahead shows you how-------------------------------------------------------------------'Inspiration for anyone looking to expand the reach of their creativity' Tim Brown, author of Change By Design'Based on their course at Berklee, Michael and Panos show that a musician's perspective, much like a designers perspective, can unlock inspiration and innovation, no matter who you are' David Kelley, founder of IDEO and the Stanford d.school
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The Imagination Emporium : Creative Recipes for Innovation
This is not your typical business book!We are all born creative and curious, but that sense of play and imagination gets squeezed out of us by the time most of us enter adulthood.Think of The Imagination Emporium as a cherished recipe book, a well-worn companion that busy people, like you, can dip in and out of, filled with useful ingredients to empower you with innovative solutions for your business, be it big or small.Why? Because Duncan Wardle believes that the skills we’re born with—Creativity, Empathy, Curiosity, and Imagination—will be some of the most sought-after skill sets of the next decade, as they will be the hardest to program into AI.In a world where we learn a vast variety of subjects, one thing often goes untaught: "HOW to actually Innovate".This book is here to change that by showing you the way to innovate, generate creative ideas, and bring them to life.
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Six The Musical Sweatshirt Broadway Six Musical Shirt Retro Musical Sweater Queen Pullover Winter
Six The Musical Sweatshirt Broadway Six Musical Shirt Retro Musical Sweater Queen Pullover Winter
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What are musical features?
Musical features are the elements that make up a piece of music, such as melody, harmony, rhythm, tempo, dynamics, and timbre. These features work together to create the overall sound and structure of a musical composition. They help to convey emotions, set the mood, and engage the listener. Understanding and analyzing these features can provide insight into the artistic choices made by the composer and help listeners appreciate and interpret the music more deeply.
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Are musical instruments haram?
In Islam, musical instruments are a topic of debate among scholars. Some scholars believe that all musical instruments are haram (forbidden) based on certain hadiths and interpretations of Quranic verses. However, other scholars believe that some musical instruments are permissible as long as the music is not used for sinful or inappropriate purposes. Ultimately, it is important for individuals to seek guidance from knowledgeable scholars and make their own informed decisions based on their understanding of Islamic teachings.
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What are musical characteristics?
Musical characteristics refer to the unique qualities and elements that define a piece of music. These can include aspects such as melody, harmony, rhythm, tempo, dynamics, and timbre. Musical characteristics help to distinguish different genres and styles of music, and they play a crucial role in conveying emotions and messages to the listener. Understanding and analyzing these characteristics can provide insight into the structure and meaning of a musical composition.
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What are musical themes?
Musical themes are recurring melodic, harmonic, or rhythmic ideas that are used to unify a piece of music. They can be a specific melody, chord progression, or rhythmic pattern that is repeated throughout a composition. Musical themes help to create a sense of cohesion and structure within a piece of music, and they can also be used to convey emotions, ideas, or characters within a musical work. Themes can be developed, varied, and transformed throughout a composition, adding depth and complexity to the music.
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