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    The Imagination Emporium : Creative Recipes for Innovation

    This is not your typical business book!We are all born creative and curious, but that sense of play and imagination gets squeezed out of us by the time most of us enter adulthood.Think of The Imagination Emporium as a cherished recipe book, a well-worn companion that busy people, like you, can dip in and out of, filled with useful ingredients to empower you with innovative solutions for your business, be it big or small.Why? Because Duncan Wardle believes that the skills we’re born with—Creativity, Empathy, Curiosity, and Imagination—will be some of the most sought-after skill sets of the next decade, as they will be the hardest to program into AI.In a world where we learn a vast variety of subjects, one thing often goes untaught: "HOW to actually Innovate".This book is here to change that by showing you the way to innovate, generate creative ideas, and bring them to life.

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  • Singapore Synthesis, The: Innovation, Inclusion, Inspiration
    Singapore Synthesis, The: Innovation, Inclusion, Inspiration

    Ravi Menon is the Institute of Policy Studies' 9th S R Nathan Fellow for the Study of Singapore.This book is an edited collection of his four IPS-Nathan Lectures, delivered in July 2021, and includes highlights of his question-and-answer segments with our virtual audience.Mr Menon examines how Singapore will come under pressure from four tectonic shifts altering the global landscape.Although still relevant, Singapore's guiding ethos of adaptation, meritocracy, and pragmatism may no longer be sufficient.To secure our future, we will need more innovation, inclusion, and inspiration.What does an innovative economy look like? What does it take to create a more inclusive society?What does it mean to be an inspiring nation? How does it all hold together in a refreshed Singapore Synthesis?The IPS-Nathan Lecture series was launched in 2014 as part of the S R Nathan Fellowship for the Study of Singapore.It seeks to advance public understanding and discussion of issues of critical national interest for Singapore.

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  • The Stages of Higher Knowledge : Imagination, Inspiration, Intuition
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  • Finding Duende : Duende: Play and Theory | Imagination, Inspiration, Evasion
    Finding Duende : Duende: Play and Theory | Imagination, Inspiration, Evasion

    A new translation of Federico García Lorca’s captivating lecture on duende. For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman. Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet.Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience. This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León.Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself. Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”

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  • What is Disjoint?

    Disjoint refers to two or more sets that have no elements in common. In other words, the intersection of disjoint sets is an empty set. For example, if set A = {1, 2, 3} and set B = {4, 5, 6}, then A and B are disjoint sets because they do not share any elements. Disjoint sets are often used in mathematics and statistics to analyze relationships between different groups or categories.

  • What are disjoint subsets?

    Disjoint subsets are subsets of a larger set that have no elements in common. In other words, if two subsets are disjoint, it means that there is no element that is present in both subsets. For example, if we have a set A = {1, 2, 3} and two subsets B = {1, 2} and C = {3, 4}, then B and C are disjoint subsets because they do not share any common elements.

  • Are complementary events disjoint?

    Complementary events are not necessarily disjoint. Complementary events are two events that together cover all possible outcomes of an experiment. Disjoint events, on the other hand, are events that have no outcomes in common. While complementary events are mutually exclusive, they can still have some outcomes in common, unlike disjoint events.

  • Is independent the same as disjoint?

    No, independent and disjoint are not the same. In probability theory, two events are considered independent if the occurrence of one event does not affect the probability of the other event occurring. On the other hand, two events are considered disjoint (or mutually exclusive) if they cannot both happen at the same time. In other words, if one event occurs, the other event cannot occur simultaneously.

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  • Federico Barocci : Inspiration and Innovation in Early Modern Italy
    Federico Barocci : Inspiration and Innovation in Early Modern Italy

    Reviewers of a recent exhibition termed Federico Barocci (ca. 1533–1612), 'the greatest artist you’ve never heard of'.One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings.The purpose of this volume is to offer new insights into Barocci’s work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves.Employing a range of methodologies, the essays include new ideas on Barocci’s masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio.A translated transcription of the inventory is included as an appendix.

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  • A Brain for Innovation : The Neuroscience of Imagination and Abstract Thinking
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    What sets humans apart from other animals? Perhaps more than anything else, it is the capacity for innovation.The accumulation of discoveries throughout history, big and small, has enabled us to build global civilizations and gain power to shape our environment.But what makes humans as a species so innovative?Min W.Jung offers a new understanding of the neural basis of innovation in terms of humans’ exceptional capacity for imagination and high-level abstraction.He provides an engaging account of recent advances in neuroscience that have shed light on the neural underpinnings of these profoundly important abilities.Jung examines key discoveries concerning the hippocampus and neural circuits that have demystified the processes underlying imagination and abstract thinking.He also considers how these capacities might have evolved as well as possible futures for intelligence. Bringing together disparate findings in neuroscience, psychology, anthropology, and artificial intelligence, A Brain for Innovation develops a unified perspective on the mechanisms of imagination, abstract thought, and creativity.Presenting cutting-edge neuroscientific research in a way that is accessible to readers without a background in the subject, this book is essential reading for anyone interested in the biological basis of one of the most fundamental aspects of human nature.

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  • Material Innovation: Product Design
    Material Innovation: Product Design

    For the first time, materials technology – the single most important agent of change in our designed landscape, from the buildings in which we live and work to the clothes we wear – is analysed to show its transformation, volume by volume, of ten creative disciplines.It is being produced in association with Material ConneXion, keeper of the largest materials and processes library in the world.This volume is on Product Design, and features carefully selected products that showcase the innovative use of a particular material.It includes six specially commissioned ‘visual narratives’ by experts in the field, and an extensive illustrated materials directory with detailed information on almost 100 materials.With a preface by Michele Caniato, the President of Material ConneXion, and an introduction by Allan Chochinov, Chair of the School of Visual Arts MFA in Products of Design Program in New York, this book can be used both as the basis for new course structures and as the authoritative reference for professionals.

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  • Material Innovation : Packaging Design
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    The third volume in this series is on packaging design and features carefully selected products that showcase the innovative use of a particular material.The book focuses on specific categories of packaging – sustainable packaging, functional forms, dispensing systems, advanced protection, interactive and mass craft.Seven specially commissioned ‘visual narratives’ are included.The extensive illustrated materials directory contains detailed information on over 100 materials.

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  • Are coin tosses generally disjoint and independent?

    Coin tosses are generally considered to be independent events, meaning the outcome of one coin toss does not affect the outcome of another. Each coin toss has a 50% chance of landing on heads or tails, regardless of previous tosses. However, coin tosses are not disjoint events because they can both result in the same outcome (e.g. both heads or both tails).

  • What is a question about disjoint cycles in permutations?

    A question about disjoint cycles in permutations could be: "How can we determine the order of a permutation given its disjoint cycle representation?" This question involves understanding how to calculate the order of a permutation by finding the least common multiple of the lengths of its disjoint cycles. It also requires knowledge of how to express a permutation as a product of disjoint cycles and how to identify the cycle structure of a permutation.

  • When are the kernel and image of vector spaces disjoint?

    The kernel and image of a linear transformation on a vector space are only disjoint when the transformation is injective, meaning it has a trivial kernel (containing only the zero vector). In this case, the only vector that maps to the zero vector in the image is the zero vector itself, so the kernel and image have no non-zero vectors in common. In all other cases, there will be non-zero vectors in the kernel that also belong to the image, making the kernel and image not disjoint.

  • Why are the two events not disjoint in probability theory?

    The two events are not disjoint in probability theory because they have some elements in common. Disjoint events, also known as mutually exclusive events, have no outcomes in common, meaning they cannot occur simultaneously. However, in the case of the two events not being disjoint, there is a possibility of some outcomes being shared between them. This means that the occurrence of one event does not necessarily preclude the occurrence of the other event.

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