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  • Northern Ghanaian Women’s Artistry : Visualizing Culture
    Northern Ghanaian Women’s Artistry : Visualizing Culture

    Many existing studies present women’s artistry as a consistent and enduring element of Indigenous culture, emphasizing overarching systems of artistic practices, aesthetic goals, and symbolic repertoires.Brittany Sheldon complicates this image within Northern Ghanaian Women’s Artistry: Visualizing Culture by emphasizing variations in individual training, knowledge, experience, techniques, skills, and ideas that inevitably exist among artists and within their communities.This book traces women’s wall painting, known as bamb?lse, in northern Ghana.Based on extensive observations and numerous interviews, Sheldon digs into women artists’ experiences and knowledge and describes their technical processes.This book delves into the history of bamb?lse, how this tradition has changed over time, and how it is tied to understandings of gender, social hierarchy, cultural identity, and memory.Rather than portraying the tradition as static, Sheldon demonstrates how women adapt their artistry to changing circumstances, including shifting preferences, incentives, markets, and audiences.With its vivid descriptions and detailed discussions, this book brings women artists and their wall paintings to life for readers, and, as such, it is relevant to scholars and students of African art history, anthropology, and gender studies.

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  • Border Culture : Theory, Imagination, Geopolitics
    Border Culture : Theory, Imagination, Geopolitics

    This book introduces readers to the cultural imaginings of borders: the in-between spaces in which transnationalism collides with geopolitical cooperation and contestation. Recent debates about the "refugee crisis" and the spread of the COVID-19 pandemic have politicized culture at and of borders like never before.Border culture is no longer culture at the margins but rather culture at the heart of geopolitics, flows, and experience of the transnational world.Increasingly, culture and borders are everywhere yet nowhere.In border spaces, national narratives and counter-narratives are tested and evaluated, coming up against transnational culture.This book provides an extensive and critical vision of border culture on the move, drawing on numerous examples worldwide and a growing international literature across border and cultural studies.It shows how border culture develops in the human imagination and manifests in human constructs of "nation" and "state", as well as in transnationalism.By analyzing this new and expanding cultural geography of border landscapes, the book shows the way to a fresh, broader dialogue. Exploring the nature and meaning of the intersection of border and culture, this book will be an essential read for students and researchers across border studies, geopolitics, geography, and cultural studies.

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  • Korean Moon Jars : History, Culture and Inspiration
    Korean Moon Jars : History, Culture and Inspiration

    The first English-language book to explore the history of the Korean moon jar and how leading potters now pay homage to its principles.The moon jar, or ‘dal-hang-ari’, as it is known in Korea, is an instantly recognisable form of white porcelain made by joining two hemispherical bowls together, with the seam left visible.This fascinating survey by Korean art expert Jinsoo Park delves into the development of the moon jar during the Joseon period (1392–1897) and explores how these traditions have been revived in modern practice.Park explains how moon-jar potters – Korean and non-Korean alike – are less attuned to details and are not worried by minor flaws acquired during the firing process.He also shows how the jar’s manufacture is less about technique than about underlying sentiments and aesthetics that combine spontaneity and simplicity, which are key to Korean concepts of beauty and align with Neo-Confucian philosophy.Accompanied by a photo essay of the construction process featuring a modern moon jar artist and reviewing current trends and expressions, this book is essential reading for any Eastern ceramics enthusiast.

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  • James Watt (1736-1819) : Culture, Innovation and Enlightenment
    James Watt (1736-1819) : Culture, Innovation and Enlightenment

    James Watt (1736-1819) was a pivotal figure of the Industrial Revolution.His career as a scientific instrument maker, inventor and engineer was developed in Scotland, his land of birth.His subsequent national and international significance as a scientist, technologist and businessman was formed in the Birmingham area.There, his partnership with Matthew Boulton and the intellectual and personal support of other members of the Lunar Society network, such as Erasmus Darwin, James Keir, William Small and Josiah Wedgwood, enabled him to translate his improvements in steam technology into efficient machines.His pumping and rotative steam engines represent a summit of technological achievement in the late-eighteenth and early-nineteenth centuries. This is the traditional picture of James Watt. After his death, his surviving son, James Watt junior projected his father’s image through commissioning sculptures, medals, paintings and biographies which celebrated his reputation as a ‘great man’ of the Industrial Revolution.In popular historical understanding Watt has also become a hero of modernity, but the context in which he operated and the roles of others in shaping his ideas have been downplayed.This book explores new aspects of his work and evaluates him in his locational, family, social and intellectual contexts.

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  • What are event culture and time culture?

    Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.

  • Which culture is the best culture in the world?

    It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.

  • Why is Turkish culture often confused with Arab culture?

    Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.

  • Is culture important?

    Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.

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  • Accelerating Organisation Culture Change : Innovation Through Digital Tools
    Accelerating Organisation Culture Change : Innovation Through Digital Tools

    This book introduces an innovative new digital approach to speed up cultural change in organisations and reduce failure rates through use of the Culture Acceleration Tool and Methodology (CATM).This tool combines the methodology of the Organizational Cultural Assessment Instrument (OCAI), Action Design Thinking and Group Decision Support Systems.In order to transform employee mindsets and align workforces to the strategic goals of their organisation in Industry 4.0, culture change and organisational transformation is necessary.However, culture change is a complex process which takes years to complete, often with low success rates.In Accelerating Organisation Culture Change, Jaclyn Lee presents resolutions to these issues through the CATM toolkit that combines capabilities of diagnosing culture, refining the change process, and using a digital platform to brainstorm and set clear goals for change management.Including real life case studies on the application of CATM in organisations, the book demonstrates the possibility of a higher success rate with organisational culture change management, and provides researchers, organisations and practitioners with a clear roadmap on how to develop the CATM toolkit for their own culture transformation journey.

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  • New Approaches to Creating a Culture of Innovation
    New Approaches to Creating a Culture of Innovation

    In an era marked by the dominance of a few corporate giants, and the ease of replicating ideas at minimal costs, the imperative for organisations of all sizes to continually innovate has become paramount.Faced with this reality, CEOs increasingly perceive innovation as the key to fostering organic growth and enhancing brand equity.Rather than confining innovation to product or process development, business leaders are pivoting towards innovative business model differentiation as a cornerstone of success. New Approaches to Creating a Culture of Innovation offers fascinating insights into how companies can embrace innovation and make it work for them at both a personal and company level.Drawing on extensive market research, business gurus Fons Trompenaars and Peter Woolliams outline effective innovation strategies that can be implemented at scale. This original work will appeal to specialists in all areas of management and leadership, HR professionals giving support to the development of individuals and teams, leaders involved in changing their corporate culture, employees wanting to exert their creativity, and business studies students at both undergraduate and MBA levels.Purchase of this book includes exclusive access to app-based content, enabling readers to explore the application of specific concepts in further detail.

    Price: 19.99 £ | Shipping*: 3.99 £
  • The Culture of Design
    The Culture of Design

    What is the social impact of design? How do culture and economics shape the objects and spaces we take for granted?How do design objects, designers, producers and consumers interrelate to create experience?How do new networks of communication and technology change the design process?Thoroughly revised, this new edition:explores the iPhone digs deep into the digital with a new chapter on networks and mobile technologies provides a new chapter on studying design culture explores the relationship of design to management and the creative industries supports students with a revamped website and all new exercises This is an essential companion for students of design, the creative industries, visual culture, material culture and sociology.

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  • The Design Culture Reader
    The Design Culture Reader

    Design is part of ordinary, everyday life, to be found in every room in every building in the world.While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future.Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas – especially globalisation, ecology, and the changing experiences of modern life.Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor's introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.

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  • What is the difference between historical culture and memory culture?

    Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.

  • Do you consider German culture to be a good culture?

    As an AI language model, I don't have personal opinions. However, German culture is rich in history, art, music, and literature. It has made significant contributions to the world in various fields, and its emphasis on efficiency, punctuality, and quality is widely respected. Additionally, Germany's commitment to environmental sustainability and social welfare is commendable. However, like any culture, it also has its complexities and challenges. Ultimately, whether one considers German culture to be "good" is subjective and depends on individual perspectives and experiences.

  • Does globalization destroy culture?

    Globalization can have both positive and negative impacts on culture. On one hand, it can lead to the spread of ideas, values, and traditions across borders, promoting cultural exchange and understanding. However, it can also result in the homogenization of cultures, as Western ideals and consumerism become dominant, potentially eroding local traditions and identities. Ultimately, the impact of globalization on culture depends on how it is managed and whether efforts are made to preserve and celebrate diverse cultural expressions.

  • What does culture encompass?

    Culture encompasses a wide range of elements that define a society, including beliefs, values, customs, traditions, language, art, music, food, and social norms. It shapes how individuals interact with one another and their environment, influencing their behaviors, attitudes, and perceptions. Culture is dynamic and constantly evolving, influenced by historical events, social changes, and interactions with other cultures. It plays a crucial role in shaping identities, fostering a sense of belonging, and providing a framework for understanding the world.

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